Style: Adding section Clayarch Gimhae controversy
Okumaya devam et...
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| After a brief sojourn in London as a visiting professor at the [[Royal Academy of Arts|Royal Academy of Art]] (1995–1997) he began to switch gears. He returned to Korea with an abruptly different style that fused Western and Eastern design. The "Dream" series (1995) was one of his first exhibits to gain international recognition,<ref>{{Cite web |title=Ceramics |url=https://prezi.com/vthb8ypaweb1/ceramics/ |access-date=2024-03-16 |website=prezi.com |language=en}}</ref> and fused traditional Asian vessel shapes and punch'ong glazes decorated with abstract patterns reminiscent of Asian [[calligraphy]] or [[ink wash painting]]s. Traveling extensively around the world his later pieces have become increasingly contemporary. His "Dream of Africa" series (2002) fused primitive animal art with modern minimalism.{{citation needed|date=March 2024}} | After a brief sojourn in London as a visiting professor at the [[Royal Academy of Arts|Royal Academy of Art]] (1995–1997) he began to switch gears. He returned to Korea with an abruptly different style that fused Western and Eastern design. The "Dream" series (1995) was one of his first exhibits to gain international recognition,<ref>{{Cite web |title=Ceramics |url=https://prezi.com/vthb8ypaweb1/ceramics/ |access-date=2024-03-16 |website=prezi.com |language=en}}</ref> and fused traditional Asian vessel shapes and punch'ong glazes decorated with abstract patterns reminiscent of Asian [[calligraphy]] or [[ink wash painting]]s. Traveling extensively around the world his later pieces have become increasingly contemporary. His "Dream of Africa" series (2002) fused primitive animal art with modern minimalism.{{citation needed|date=March 2024}} |
 | In the 1990s Shin began developing "fired painting" tiles used as a means to apply ceramic arts to commercial architecture. A total of 4,400 fired painting tiles were used on the exterior surface of the Clayarch Gimhae Museum in Gimhae, South Korea, where Shin served as their first Director from 2006 to 2008.<ref>{{Cite web |title=Network {{!}} 경기도자미술관 |url=https://www.gmocca.org/eng/network/introduce/view?id=2 |access-date=2024-04-28 |website=www.gmocca.org |language=ko}}</ref><ref>{{Cite web |date=2010-12-20 |title=흙과 색의 제국 '신상호의 세계' |url=https://happy.designhouse.co.kr/magazine/magazine_view/00010005/2899 |access-date=2024-02-09 |website=행복이 가득한 집 |language=ko-KR}}</ref> In 2000, a particularly large installation he created was installed within the overhead covered walkway connecting the Seoul [[JW Marriott Hotels|JW Marriott]] Hotel and the Seoul [[Central City (Seoul)|Central City]] Express Bus Terminal. |
| == Clayarch Gimhae Museum controversy == | |
| The name of the Clayarch Gimhae Museum (클레이아크김해미술관) comes from the two words [[clay]] and [[architecture]]. It is believed to be the world's first museum dedicated to architectural ceramics like fired roof tiles, bricks, bathtubs, and sinks.<ref>{{Cite web |title=Clayarch Gimhae Museum {{!}} Creative City, Gimhae |url=https://www.gimhae.go.kr/06867/06900/06920.web |access-date=2024-04-29 |website=www.gimhae.go.kr}}</ref> It opened on March 24, 2006. The 4,400 fired painting tiles by Shin Sang-ho are 48 cm square (19 inches) were handcrafted at [[Bugok]] Pottery.<ref name=":2">{{Cite web |last=기자 Kim |first=김중걸 Joong-geol |date=2006-01-03 |title=[김해]클레이아크 김해미술관 그 자태를 드러내다 Clayarch Gimhae Museum reveals itself |url=https://www.idomin.com/news/articleView.html?idxno=174575 |access-date=2024-04-29 |website=경남도민일보 |language=ko}}</ref> To achieve the vibrant colors expressing the symbolic patterns of primitive art that embody the ideology of the museum, the tiles had to be fired 4 to 5 times at 1,250 Degrees C (2,282 Degrees F). They are not permanently affixed to the building. Instead, they are supported on an aluminum frame and can be rearranged changing the future appearance of the building. Shin's work has been well received with many news accounts describing his achievement as helping to convert an entire building into a work of art.<ref name=":2" /> | |
| Questions were raised when Shin Sang-ho acted as both a designer and supplier during the construction of the Clayarch Gimhae Museum. | |
| [[File:Clayarch Gimhae Museum.JPG|left|thumb|Clayarch Gimhae Museum with 5000 fired painting tiles by Shin Sang-ho on exterior walls]] | [[File:Clayarch Gimhae Museum.JPG|left|thumb|Clayarch Gimhae Museum with 5000 fired painting tiles by Shin Sang-ho on exterior walls]] |
| In the 1990s Shin began developing "fired painting" tiles used as a means to apply ceramic arts to commercial architecture. Over 5,000 fired painting tiles were used on the exterior surface of the Clayarch Gimhae Museum in Gimhae, South Korea, where Shin served as their first Director from 2006 to 2008.<ref>{{Cite web |title=Network {{!}} 경기도자미술관 |url=https://www.gmocca.org/eng/network/introduce/view?id=2 |access-date=2024-04-28 |website=www.gmocca.org |language=ko}}</ref><ref>{{Cite web |date=2010-12-20 |title=흙과 색의 제국 '신상호의 세계' |url=https://happy.designhouse.co.kr/magazine/magazine_view/00010005/2899 |access-date=2024-02-09 |website=행복이 가득한 집 |language=ko-KR}}</ref> In 2000, a particularly large installation he created was installed within the overhead covered walkway connecting the Seoul [[JW Marriott Hotels|JW Marriott]] Hotel and the Seoul [[Central City (Seoul)|Central City]] Express Bus Terminal. |
| == Style == | == Style == |
Okumaya devam et...